One defining feature of
many of these 9/11 poems is anger, which is frankly somewhat upsetting to read
since the poems, in that sense, don’t really provide you with a sense of
collective loss or communion. Most of the poets here write about the tragedy in
terms of cause, not the heavy,
insufferable loss that followed. In this way they differ largely from “Lilacs.”
But there are exceptions. The late Wislawa Szymborska’s poem, “Photograph from
September 11,” asks some similar questions that Whitman raises in “Lilacs.” For
instance, what can poetry do for the dead, and for the living, in the aftermath
of a tragedy like the assassination of Lincoln or 9/11? How does one properly
mourn the dead? “O how shall I warble myself for the dead one there I loved?”
Whitman asks, while Szymborska decides to break off her poem in order to leave
those that jumped from the towers floating. It’s the best that she can really
do for them, she says.
Yes . . she refused the resolution of elegy . . .I wonder if W's ending also does some of this refusing?
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