Martin Tupper was an
English poet and writer best-known (favorably or unfavorably) for his Proverbial Philosopy. Apparently the
book achieved, at first, no success either in Great Britian or across the
Atlantic in America. However, it soon became something of a sensation in both
countries, selling more than 30,000 copies—unparalled at the time. With
sections on life, authorship, mystery, yesterday, flame, things, neglect,
honesty—to name only a handful—the book takes a swing, often a weak one, at
everything under the sun.
Tupper’s unrhymed prose
lines bear close resemblance to Whitman’s, and indeed, the two were often
compared to each other. Tupper was considered to be Whitman’s precursor with
regards to prose poetry, and the latter undoubtedly admired Proverbial Philosopy. Writing in the Brookyln Daily Eagle, he spoke of Tupper
as “one of the rare men of the time.” Tupper’s popularity in mass culture was
likely another reason, beyond stylistic admiration, why Whitman took notice of
the British poet. Additionally, an 1852 edition of Proverbial Philosophy that came out of Boston supposedly had a
“fancy red binding with gold-leaf vegetation on the cover and a gilt design on
the spine” (Reynolds, Walt Whitman’s
America) which probably influenced the design of Leaves of Grass three years later.
“Heed not him, but hear
his words, and care not whence they come
..........................................
Let us walk together as
friends in the shaded paths of meditation”
These lines from the
prefatory poem in Poverbial Philosopy,
elaborating on the role of the poet, strike me as sounding very
close to Whitman’s notion of the role of the poet.
Excellent detective work . . .
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